Being based in Cornwall has certainly influenced the style of the gallery which focuses around the concept of 'edges' and 'boundaries' - where land meets sky – a celebration of the flora and fauna of our countryside, and ruggedness of our natural coastline.
I love what I do, the people I meet, the artists that I represent, and I hope that that enthusiasm shows in every interaction.
100% made by hand. Obsessive attention to detail, style & quality.
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Megan Gant is a Cornish ceramicist whose practice is rooted in exploring the beauty of impermanence – her vessels become canvases for capturing the weathering of time, built up through multiple layers of slips, underglaze, volcanic glaze, sgraffito, monoprint, and photolithographic transfers that echo the textures of derelict buildings and post-industrial spaces. The photolithographic transfers serve to capture fleeting moments in time, immortalising the fragile states of the buildings, and preserving their transient nature. Through this process, she invites reflection on the beauty of decay, the interplay between intentionally crafted and spontaneous deterioration, and the stories that the fragile surfaces hold.
In my studio fractured memories unravel, spill out and combine. I’m an avid collector of ceramics and a lover of nature so these things emerge naturally. Someone’s yellow sweater may appear in disguise on the canvas. That yellow may present as a vase but it may disappear under a layer of red, shift across the canvas and turn into a tree. Akin to a game of chess, the work can be taken in many directions... I add, remove and work into the canvas, the finished work is a resolution of ideas.
Drawing inspiration from architecture and sculptural ceramics, Emma aims for bold simplicity in her aesthetic, each piece designed to be worn with a sense of intention and ritual.
Many rings in the collection are made using the traditional process of lost wax casting where the ring is first hand-carved in wax, then cast in silver. Because the original wax form is destroyed during the process, no two pieces are ever exactly the same. The result is jewellery with subtle individuality — shaped by hand, and finished with care.
At the centre of the collection is a quiet fascination with the circle. Long a symbol of continuity and wholeness, it reflects the natural rhythm of life — without beginning or end.
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