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Mixed media sea and landscapes
Paul Bennett
Evocative Original Seascapes
David Pearce
Explore the latest collection of still life originals
Being based in Cornwall has certainly influenced the style of the gallery which focuses around the concept of 'edges' and 'boundaries' - where land meets sky – a celebration of the flora and fauna of our countryside, and ruggedness of our natural coastline.
I love what I do, the people I meet, the artists that I represent, and I hope that that enthusiasm shows in every interaction.
100% made by hand. Obsessive attention to detail, style & quality.
Sourced directly from our makers and creators. A truly independent outlet.
Delivering excellent customer service. Spreading the joy of art ownership.
Rachel graduated in 2001 from Hull School of Art and Design with a degree in Fine Art. Rachel has been working in a variety of media for nearly twenty years. Rachel's work takes in impressions and memories as
much as it does sketches and scribbled records. Contrasts of texture, tone, shape and line interrupt the conversation between mark making and white space. There is a dance between application and reduction until a destination is arrived at, allowing historical layers of paint to peak out from beneath the surface.
"A considered palette and composition initiate my work. I’m led by a deep passion for colour, tone and juxtaposition.
Subconscious, free creativity is combined with conscious, careful decision making BUT where does one stop and the other begin?
The process continues until a painting feels complete. My paintings aim to prompt subtle shifts of thought and feeling. They exist to stimulate imagination, tranquillity or confusion - but ultimately, pleasure."KB
I have always drawn, designed and painted and love the energy of random lines or marks, from a sketch, painting or just found. I love how just the right simple line or mark can completely change the feeling of a piece. My work is a collection of thrown, uncluttered porcelain forms. I throw and turn the pieces to a fine finish which, when left unglazed, gives the porcelain a paper-like, tactile quality...(see more)
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