Paul Bennett
Being based in Cornwall has certainly influenced the style of the gallery which focuses around the concept of 'edges' and 'boundaries' - where land meets sky – a celebration of the flora and fauna of our countryside, and ruggedness of our natural coastline.
I love what I do, the people I meet, the artists that I represent, and I hope that that enthusiasm shows in every interaction.
100% made by hand. Obsessive attention to detail, style & quality.
Sourced directly from our makers and creators. A truly independent outlet.
Delivering excellent customer service. Spreading the joy of art ownership.
British Canadian landscape artist Georgia Hart works exclusively with palette knives to create her signature impasto oil paintings. Thick peaks of paint incorporate another dimension into her work, creating bold and often rugged scenes. These 3D qualities allow the work to be more than a
landscape painting; aiming to evoke intense emotion, while serving as a window to somewhere that is simultaneously familiar and distant.
“It is not often that a contemporary artist stops you in your tracks, roots you to the spot and draws you into their work with just the briefest of viewings. In a turbulent world, Pearce's work comes as a breath of fresh air in its directness and honesty. Any devotee of Kettle's Yard will feel an immediate connection to Pearce's work: its simplicity and spontaneity, its balance and use of space and the subtlety of the mark making all evoke the spirit of Nicholson, Hilton, Heron and Frost. His new work is fresh, light and full of real character in the finest traditions of the St Ives School and yet at the same time it is truly owned by the artist." Ashley Gray, director of Gray MCA
Based in Reawla, Cornwall, Craig Underhill has been a ceramic artist for over 30 years.
"I see my work as 3-dimensional paintings that are made with an experimental approach to using ceramic materials. By applying materials in different ways I am able to create a diverse range of surface finishes that are designed to work in conjunction with the slab built forms. I apply layers of materials to build up a richness to the surface and often create areas with an intensity of mark making that give a point of focus and that contrast with plainer, more open and quieter areas. Although I learnt to throw at university, I quickly became aware that hand building and more specifically slab building allowed me the creative freedom I wanted." Craig Underhill
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